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Poetics (Hague, Netherlands : Online)
Poetics is an interdisciplinary journal of theoretical and empirical research on culture, the media and the arts. Particularly welcome are papers that make an original contribution to the major disciplines - psychology, sociology, and economics - within which promising lines of research on art and culture have been developed including economic sociology and the sociology of culture. Poetics publishes not only advanced research reports but also overview articles.» journal's homepage
Current Table of Contents
- Editorial Board
Publication year: 2008<br>[No author name available] <br> - Cultural participation and time restrictions: Explaining the frequency of individual and joint cultural visits
Publication year: 2008<br>Gerbert, Kraaykamp , Wouter, van Gils , Wout, Ultee<br> - Freedom in speech: Freedom and liberty in U.S. presidential campaign discourse, 1952–2004
Publication year: 2008<br>Michele M., Easter<br> - Narrative versus style: Effect of genre-typical events versus genre-typical filmic realizations on film viewers’ genre recognition
Publication year: 2008<br>Valentijn, Visch , Ed, Tan<br> - Uses of civilising claims: Three moments in British theatre history
Publication year: 2008<br>Hye-Kyung, Lee<br> - Editorial Board
[No author name available] <br> - Cultural capital today: A case study from Denmark
Annick, Prieur , Lennart, Rosenlund , Jakob, Skjott-Larsen<br> - Instructions to authors
[No author name available] <br> - Presentation
Michèle, Ollivier , Koen, van Eijck , Alan, Warde<br> - The omnivorous orientation in the UK
Alan, Warde , David, Wright , Modesto, Gayo-Cal<br> - Narrating and naming positive agents: Storytelling by Philadelphia postwar political elite
Debbie, Becher<br> - Modes of openness to cultural diversity: Humanist, populist, practical, and indifferent
Michèle, Ollivier<br> - Revisiting omnivores in America circa 1990s: The exclusiveness of omnivores?
Gindo, Tampubolon<br> - The individual and the mixing of genres: Cultural dissonance and self-distinction
Bernard, Lahire<br> - Cultural omnivorousness as a combination of highbrow, pop, and folk elements: The relation between taste patterns and attitudes concerning social integration
Koen, van Eijck , John, Lievens<br> - Bringing art to market: The diversity of pricing styles in a local art market
Kathleen M., O’Neil<br> - The moral underpinnings of beauty: A meaning-based explanation for light and dark complexions in advertising
Shyon, Baumann<br> - Lifestyles in distressed neighborhoods: A test of Bourdieu's “taste of necessity” hypothesis
Jörg, Blasius , Jürgen, Friedrichs<br> - Hugo Verdaasdonk (1945–2007)
Kees, van Rees<br> - Editorial Board
[No author name available] <br> - Editorial Board
[No author name available] <br> - The phenomenology of a new social category: The case of the gifted disadvantaged in Israel
Avi, Shoshana<br> - Boundary processes: Recent theoretical developments and new contributions
Mark A., Pachucki , Sabrina, Pendergrass , Michèle, Lamont<br> - Black cultural capitalists: African-American elites and the organization of the arts in early twentieth century Boston
Crystal M., Fleming , Lorraine E., Roses<br> - Ethnocentrism, taste and symbolic boundaries
Mark, Elchardus , Jessy, Siongers<br> - Racial authenticity among second generation youth in multiethnic New York and London
Natasha Kumar, Warikoo<br> - Narratorial implicatures: Readers look to the narrator to know what is important
Blaine, Mullins , Peter, Dixon<br> - City folk: Survival strategies of tradition-bearing organizations
Dobransky, Kerry<br> - Comments on Chan and Goldthorpe: Pitfalls in testing Bourdieu's homology assumptions using mainstream social science methodology: Social stratification and cultural consumption: The visual arts in England
Wuggenig, Ulf<br> - Data, methods and interpretation in analyses of cultural consumption: A reply to Peterson and Wuggenig
Chan, Tak Wing , Goldthorpe, John H.<br> - Comment on Chan and Goldthorpe: Omnivore, what's in a name, what's in a measure?
Peterson, Richard A.<br> - Editor's note
van Rees, K.<br> - Is ‘distinction’ really outdated? Questioning the meaning of the omnivorization of musical taste in contemporary France
Coulangeon, Philippe , Lemel, Yannick<br> - Status and media use in the Netherlands: Do partners affect media tastes?
Kraaykamp, Gerbert , van Eijck, Koen , Ultee, Wout , van Rees, Kees<br> - Social stratification and cultural consumption: The visual arts in England
Chan, Tak Wing , Goldthorpe, John H.<br> - Introduction
Chan, Tak Wing , Goldthorpe, John H.<br> - Social status and cultural consumption: The case of reading in Chile
Torche, Florencia<br> - Social status and cultural consumption in the United States
Alderson, Arthur S. , Junisbai, Azamat , Heacock, Isaac<br> - Social stratification and cultural consumption in Hungary: Book readership
Bukodi, Erzsébet<br> - Class, status, and the intergenerational transmission of musical tastes in Israel
Katz-Gerro, Tally , Raz, Sharon , Yaish, Meir<br> - Media modes of poetic reception: Reading lyrics versus listening to songs
Moser, Sibylle<br> - Editorial Board
[No author name available] <br> - Consensus and knowledge production in an academic field
Evans, John H.<br> - Narrative boundaries and the dynamics of ethnic conflict and conciliation
Smith, Tammy<br> - A general theory of artistic legitimation: How art worlds are like social movements
Baumann, Shyon<br> - Advert New frontiers in arts sociology
[No author name available] <br> - Approaches to material culture: The sociology of fashion and clothing
Crane, Diana , Bovone, Laura<br> - Collective production of creativity in the Italian fashion system
Mora, Emanuela<br> - The simulated (fictitious) body: The production of women's images in fashion photography
Ruggerone, Lucia<br> - Urban style cultures and urban cultural production in Milan: Postmodern identity and the transformation of fashion
Bovone, Laura<br>




