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Music perception
Chart the ongoing scholarly discussion and study of musical phenomena with Music Perception. Publishing original empirical and theoretical papers, methodological articles and critical reviews from renowned scientists and musicians, Music Perception is a repository of insightful research. In a range of disciplines from Psychology, Psychophysics, Linguistics , Neurology, Neurophysiology, Artificial intelligence, Computer technology, Physical and architectural acoustics, and Music theory. » journal's homepage
Current Table of Contents
- Cover
Music Perception Sep 2008, Vol. 26, No. 1: C1–C4. - Front Matter
Music Perception Sep 2008, Vol. 26, No. 1: C2–ii. - Table of Contents
Music Perception Sep 2008, Vol. 26, No. 1: i–i. - Tracking an Imposed Beat within a Metrical Grid
Music Perception Sep 2008, Vol. 26, No. 1: 1–18. RHYTHMIC STRUCTURE OFTEN FAVORS a particular beat that is marked by frequent tone onsets and grouping accents. Using rhythms similar to those of Povel and Essens (1985), we asked musically trained participants to tap on physically or mentally imposed ... - Metrical Subdivision Results in Subjective Slowing of the Beat
Music Perception Sep 2008, Vol. 26, No. 1: 19–39. FOUR EXPERIMENTS INVESTIGATED whether metrical subdivision affects perceived beat tempo. In Experiment 1, musically trained participants tapped in synchrony with the beat of an isochronous pacing sequence and continued tapping the beat after the sequence ... - Memory for Verbal and Visual Material in Highly Trained Musicians
Music Perception Sep 2008, Vol. 26, No. 1: 41–55. INTEREST IN STUDYING THE EFFECTS of extensive music training on nonmusical perceptual and cognitive abilities has grown in recent years. Here, we present evidence that formal music instruction is associated with superior verbal and visual memory. ... - Cognitive Styles of Music Listening
Music Perception Sep 2008, Vol. 26, No. 1: 57–73. BARON-COHEN'S EMPATHIZER-SYSTEMIZER-THEORY (E-S theory, Baron-Cohen, Knickmeyer, & Belmonte, 2005) distinguishes two general cognitive styles. Empathizing is characterized as the capacity to respond to feeling states of other individuals, whereas ... - Voice And Stream: Perceptual And Computational Modeling Of Voice Separation
Music Perception Sep 2008, Vol. 26, No. 1: 75–94. LISTENERS ARE THOUGHT TO BE CAPABLE of perceiving multiple voices in music. This paper presents different views of what 'voice' means and how the problem of voice separation can be systematically described, with a view to understanding the problem better ... - Information for Authors
Music Perception Sep 2008, Vol. 26, No. 1: 95–96. - Announcements
Music Perception Sep 2008, Vol. 26, No. 1: 97–100. - Upcoming Issues
Music Perception Sep 2008, Vol. 26, No. 1: 101–101.