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Musical quarterly
The Musical Quarterly, founded in 1915 by Oscar Sonneck, has long been cited as the premier scholarly musical journal in the United States. Over the years it has published the writings of many important composers and musicologists, including Aaron Copland, Arnold Schoenberg, Marc Blitzstein, Henry Cowell, and Camille Saint-Saens. The journal focuses on the merging areas in scholarship where much of the challenging new work in the study of music is being produced.» journal's homepage
Current Table of Contents
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- Two American Masters in Memoriam: George Perle (1915-2009) and Lukas Foss (1922-2009)
- Jimmie Rodgers and the Semiosis of the Hillbilly Yodel
- Cyclic Form, Time, and Memory in Mendelssohn's A-Minor Quartet, Op. 13
- A Double Life in Hollywood: Hanns Eisler's Score for the Film Hangmen also Die and the Covert Expressions of a Marxist Composer
- Schoenberg's Vienna, Freud's Vienna: Re-Examining the Connections between the Monodrama Erwartung and the Early History of Psychoanalysis