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19th-century music
19th-Century Music covers all aspects of Western art music between the mid-eighteenth and mid-twentieth centuries and includes considerations of composers and compositions, styles, performance, historical watersheds, cultural formations, critical methods, musical institutions, and ideas. » journal's homepage
Current Table of Contents
- Table of Contents
19th-Century Music Mar 2008, Vol. 31, No. 3: i–i. - Front Matter
19th-Century Music Mar 2008, Vol. 31, No. 3: ii–ii. - The Turk in the Mirror: Orientalism in Haydn's String Quartet in D Minor, Op. 76, No. 2 (“Fifths”)
19th-Century Music Mar 2008, Vol. 31, No. 3: 179–192. Abstract In an article on Orientalism and musical style, Derek B. Scott posits a near-exhaustive list of musical characteristics that act as Orientalist signifiers. Measures 85–88 in the development section of the first movement of Haydn's “Fifths” ... - Matinee Mania, or the Regendering of Nineteenth-Century Audiences in New York City
19th-Century Music Mar 2008, Vol. 31, No. 3: 193–216. Abstract New York by 1850 was the leading U.S. city in population, trade, industry, and culture. Its many public musical offerings took place in the evenings, requiring women to have escorts for safety and respectability, and limiting their attendance ... - Playing the Identity Card: Of Grieg, Indians, and Women
19th-Century Music Mar 2008, Vol. 31, No. 3: 217–227. Abstract This piece was written as a keynote to a conference, Music and Identity, held in Bergen, Norway, in September 2007 to commemorate the centennial of Edvard Grieg's death. Its author, Susan McClary, both reflects on issues of identity politics ... - Rough Music: Tosca and Verismo Reconsidered
19th-Century Music Mar 2008, Vol. 31, No. 3: 228–244. Abstract This article offers a new interpretation of the operatic phenomenon known as verismo, and of the relationship of Puccini's Tosca with that movement. In contrast to previous scholarship on verismo, which often treats the relationship between ... - Nineteenth-Century Music? The Case of Rachmaninov
19th-Century Music Mar 2008, Vol. 31, No. 3: 245–265. Abstract In two of Rachmaninov's last works, the Rhapsody on a Theme of Paganini of 1934 and the first of the Symphonic Dances of 1940, a stylistic contrast between an opulently scored lyrical theme and the more angular, dissonant music that surrounds ... - Contributors
19th-Century Music Mar 2008, Vol. 31, No. 3: 266–266. - Index for Volume XXXI (2007–08)
19th-Century Music Mar 2008, Vol. 31, No. 3: 267–267. - Directions to Contributors
19th-Century Music Mar 2008, Vol. 31, No. 3: 268–268.