Subject Portal » Journals »
Early music
Early Music is a stimulating and richly illustrated journal, and is unrivalled in its field. Founded in 1973, it remains the journal for anyone interested in early music and how it is being interpreted today. Contributions from scholars and performers on international standing explore every aspect of earlier musical repertoires, present vital new evidence for our understanding of the music of the past, and tackle controversial issues of performance practice. » journal's homepage
Current Table of Contents
- Editorial
- Pianos and harpsichords for Their Majesties
- The 1685 coronation anthem I was glad
- On the trail of Purcell's spinet
- On a Roman polychoral performance in August 1665
- Marbriano de Orto (c.1455-1529): personal thoughts and some surprises
- Latin American Baroque: performance as a post-colonial act?
- 'All the world's a stage'
- Worshipping with William Byrd
- Courts and ceremony
- The Baroque world through rose-tinted glasses
- Italians at Dresden
- A calendar of Venetian opera
- Five centuries of Spanish keyboard music
- Clavichordium floreat
- Musical riches of Valladolid Cathedral
- Treasures from Trent
- Lute music for a princess
- Cavalli the performer
- Theatre music from Mozart's Vienna
- Medieval music, early and late, from France and Spain
- Illuminating Renaissance obscurities
- The spice of life
- Intermedii, cantata and oratorio
- The versatility of German church music
- The challenge of Vivaldi
- French tragedie: Thesee and Zoroastre
- Operas familiar and unfamiliar
- Pick 'n' mix: recent early music (ad)ventures
- Francesca McManus (1937-2007)
- Gilbert Reaney (1924-2008)
- Holy Week in Cuenca and the limits of 'religious' music
- Harmony of two worlds
- Breaking into song
- Text, music and gender in the Middle Ages
- Forqueray father or son?
- The two Scarlattis
- Scarlatti and Iberian harpsichord making
- Mozart's 'Jenamy Concerto'
- Abstracts
- Advertisers' Index