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Early music
Early Music is a stimulating and richly illustrated journal, and is unrivalled in its field. Founded in 1973, it remains the journal for anyone interested in early music and how it is being interpreted today. Contributions from scholars and performers on international standing explore every aspect of earlier musical repertoires, present vital new evidence for our understanding of the music of the past, and tackle controversial issues of performance practice. » journal's homepage
Current Table of Contents
- Editorial
- Hidalgo, merchant, poet, priest: the vihuela in the urban soundscape
- Beyond church and court: city musicians and music in Renaissance Valladolid
- The formation of an exceptional library: early printed music books at Valladolid Cathedral
- Power and musical exchange: the Dukes of Medina Sidonia in Renaissance Seville
- Letter from Aleppo: dating the Chelsea School performance of Dido and Aeneas
- Where did Purcell keep his theatre band?
- Come, ye sons of art--again: court cross-subsidy for Purcell's opera orchestra, 1690-1695
- The international face of Tudor music
- Bolognese sonatas and concertos
- A fascination with French dance
- Ritual, power and opera seria
- The century of Bach and Mozart?
- Women's song in Georgian England
- A great microtonal survey
- Recusant song?
- Charpentier and Mondonville
- Bach discoveries
- Purcell in the chamber
- The early Renaissance
- Sacred music from the long cinquecento
- Drouthy No More
- Buxtehude's organ music
- Italian strings
- The Weiss squad
- Bach cantatas
- Bach on the harpsichord
- Handel oratorios
- Haydn reissues: the triumph of convention
- Music and gesture in Caravaggio's paintings: a film
- Music and mysticism in Cuenca
- Still performing Bach
- Dissecting passions
- Abstracts
- Advertisers' index